A documentary short

Circle of Life

India's Indigenous and folk tattoo traditions are quietly disappearing. To honour them is to learn them, their people, their places, their meaning, and only then to etch them permanently on skin.

Director · Tej Anhad Singh PahujaFilmed in Toronto
Ten traditions, one leg
Ten traditions, one leg

Director's statement

The lost art

I kept seeing Indians walk out of tattoo studios with designs from a world away, while the marks of their own ancestors fade quietly into memory. Every state, every tribe in India once carried its own ink: its own symbols, its own way of seeing the world. Few remember. Fewer still wear them.

For generations these traditions were pushed to the margins, called primitive, uncivilized, unimportant, until the young stopped learning them and the old stopped passing them on. What remains is scattered and quiet: census pamphlets in dusty archives, museum shelves, a sparse ethnographic record, and elders in remote villages who still remember.

This film began as a question: what does it mean to carry a culture that is disappearing? I went looking for answers in archives, in books, and with the guidance of an artist who has spent years among the communities that hold these traditions, and found ten that would not let me go. With the help and knowledge of multiple artists, I drew those ten together into a single sleeve: my body the page they would live on.

The film is not a story I tell. It is a story I carry, etched in ink, so it cannot be forgotten.

It asks what it means to carry a culture permanently, and how to do it with respect.

Form
Autoethnographic documentary
Traditions
10, from 9 states
Format
Vertical, 9:16
Location
Toronto, Canada

The ten traditions

Read the sleeve from thigh to ankle. Choose a tradition to see where it comes from, what its motifs mean and where it sits on the leg.

Enter the research archive
Andaman and Nicobar IslandsAndhra PradeshArunachal PradeshAssamBiharChandigarhChhattisgarhDadra and Nagar HaveliDaman and DiuDelhiGoaGujaratHaryanaHimachal PradeshJammu and KashmirJharkhandKarnatakaKeralaLakshadweepMadhya PradeshMaharashtraManipurMeghalayaMizoramNagalandOdishaPuducherryPunjabRajasthanSikkimTamil NaduTelanganaTripuraUttar PradeshUttarakhandWest Bengal

Madhya Pradesh

Madhya Pradesh

Gond

Tiger and bird · front thigh
Tiger and bird · front thigh
Elephant · back thigh
Elephant · back thigh
Birds · front of the shin
Birds · front of the shin
Birds · back of the calf
Birds · back of the calf

Tiger and bird: the fearless tiger brings courage and focus, while the bird it plays with shows the softness inside the beast.

Elephant: true strength through humility and kindness, a symbol of spiritual growth with nature.

Birds: the element of air. Two in front and two behind trace the migration of birds and the rotation of life.

Front thigh · back thigh · shin and calf

Read the story

Colour: an act of revival

Tribal tattoos in India have always been black. Black was a pragmatic colour, one that preserved the marks and honoured the culture they came from. But a tradition this alive deserves more than memory. I brought more than twenty-five colours into the sleeve, so the vibrance of India lives on my leg, not just its lines.

Red and blue · the contrast that carries the whole leg.
Red and blue · the contrast that carries the whole leg.
Labyrinth in the sun · warm orange in blue and white.
Labyrinth in the sun · warm orange in blue and white.
Elephant · purple, teal, grey and white. Royal colours.
Elephant · purple, teal, grey and white. Royal colours.
Birds · pink and cyan
Birds · pink and cyan
Tiger, bird and vines · pink, white, blue, red, green. One piece, hours of detailed work.
Tiger, bird and vines · pink, white, blue, red, green. One piece, hours of detailed work.

A note on respect

These motifs belong to living communities

Every mark on this leg was borrowed, never taken. Each motif belongs to a community that has drawn, painted or worn it for generations, and it is carried here the way it was given: with its place named, and its meaning kept whole. This sleeve is not a claim. It is a tribute, and an act of learning.

The motifs were chosen with the guidance of Amit Arjel, anthropologist and tattoo artist. Across years of research, alongside Lars Krutak's written record, he has visited many of these communities to learn their motifs at the source and to seek permission before any of them were drawn.

  • Gond · Madhya Pradesh
  • Baiga · Madhya Pradesh, Chhattisgarh
  • Warli · Maharashtra
  • Madhubani · Bihar
  • Mithila Godna · Bihar
  • Rabari and Mer · Gujarat
  • Bhil · Rajasthan
  • Grain · Odisha
  • Kolam · Kerala, Tamil Nadu
  • Surguja · Chhattisgarh

About the director

Tej Anhad Singh Pahuja

Tej is a Toronto-based producer and the proud wearer of this sleeve.

tejanhadsingh@gmail.comLinkedIn
Tej Anhad Singh Pahuja, showing his tattooed leg